By Karen Karon
Chain maille styles and weaves that take jewellery layout into new frontiers!
Jewelry artists will take pleasure in a set of latest, less-common weaves and demanding initiatives that encourage and educate.
Author Karen Karon starts by way of reviewing simple chain maille weaves so one can set the level for the extra complicated weaves during this publication. She explains ideas wanted while operating past the fundamentals: tools for ultimate a weave, operating with micro jewelry, operating huge scale, and utilizing substitute fabrics in weaves. The ebook is then divided into four sections, every one dedicated to a specific form of weave: new Persian weaves, Elf-based weaves, Hybrid weaves, and Scale Maille weaves that include sheet steel scales into conventional weaves for a extraordinary impact. Sprinkled through the illustrated step by step directions for every weave procedure are necessary suggestions from Karen to assist be certain a stunning comprehensive piece.
Read Online or Download Advanced Chain Maille Jewelry Workshop: Weaving with Rings and Scale Maille PDF
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[15 sep 2004—scanned by means of Escaped bird Spririts (ECS)]
[11 oct 2004—proofed for typhoon Ivan]
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Extra resources for Advanced Chain Maille Jewelry Workshop: Weaving with Rings and Scale Maille
Don’t let the trading go on too long. Sometimes, brief quotes from other tunes can be effective during trading (see Using Quotes in Chapter 4D: More Development). 44 Stop-Time Solo Fills You can build solo fills into the structure of the tune melody. These are most effective as stop-time fills, where everyone drops out during the fill except the soloist. This builds (Level Four — Strong) 4G: Group Interaction • 269 suspense well, but it requires clean and imaginative playing on each fill. Here are some suggestions for playing stop-time fills: • • • Use double-time frequently (see Practicing Double-Time Fills in Chapter 4B: DoubleTime and Half-Time).
You can still take rhythmic chances, but every “liberty” should be compared against a solid framework of rhythm and form. This is especially true when players switch roles for a while (see Switching Roles above). Players should always know exactly where they are in the tune form. Gig Survival There are many kinds of jazz gigs, from free jazz to stiff casuals. No matter what the gig, it’s a good idea to fit in well with the band (especially if you’ve never met them) and the audience. Here are some survival tips: 1) Prepare for the gig, physically and mentally.
Transcribing the chords helps in these ways: • The chords can help you better determine some of the more difficult pitches in the solo later on. • When the solo is finished, you can better appreciate how the soloist’s melody works against the chord progression of the tune. • It’s good ear training. To transcribe the chords of a tune, follow these steps: 1 Transcribe the bass line for the first solo chorus as well as possible. (The bass line may be more clear in the melody section than in the solos).